Subway

Bruce Davidson
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Description

In 1986, Aperture first published Bruce Davidson's Subway-a ground-breaking series that has garnered critical acclaim both as a document of a unique moment in the cultural fabric of New York City as well as for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, "the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks, and closed off from each other."

In this third edition of a classic of photographic literature, a sequence of 118 images (including twenty-five never-before-published) move the viewer through a landscape at times menacing, at other times lyrical, soulful, and satiric. The images include the full panoply of New Yorkers-from weary straphangers and languorous ladies in summer dresses to stalking predators and the homeless.

Davidson's accompanying text tells the story behind the images, clarifying his method and dramatizing his experience. He details his obsession with the subway, its rhythms and its particular madness. His naked prose, together with his compelling images, evoke the speeding sensation of a subway car, tunneling out of the darkness into new light and unmistakable beauty.

Signed by Bruce Davidson on the title page.

Book Details
  • Format: Hardcover with Jacket
  • Pages: 144
  • Size: 11.9 x 11.5 x 0.8 inches
  • Publisher: Aperture; Reprint edition (2011)
  • ISBN: 9781597111942

What People Are Saying

  • Subway is Davidson's visceral take on the New York underground system of the 1980s complete with beleagured passengers, Guardian Angels, graffiti and a palpable, all-pervasive sense of fear. A glimpse of a New York that is already long gone.

    — Sean O'Hagan

    The Guardian

  • The brilliant flash, combined with fluorescent lighting, intense colors and Davidson's probing vision, produced images that are dramatic and at times surreal.

    — Holly Stuart Hughes

    Photo District News

Description

In 1986, Aperture first published Bruce Davidson's Subway-a ground-breaking series that has garnered critical acclaim both as a document of a unique moment in the cultural fabric of New York City as well as for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, "the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks, and closed off from each other."

In this third edition of a classic of photographic literature, a sequence of 118 images (including twenty-five never-before-published) move the viewer through a landscape at times menacing, at other times lyrical, soulful, and satiric. The images include the full panoply of New Yorkers-from weary straphangers and languorous ladies in summer dresses to stalking predators and the homeless.

Davidson's accompanying text tells the story behind the images, clarifying his method and dramatizing his experience. He details his obsession with the subway, its rhythms and its particular madness. His naked prose, together with his compelling images, evoke the speeding sensation of a subway car, tunneling out of the darkness into new light and unmistakable beauty.

Signed by Bruce Davidson on the title page.

Book Details
  • Format: Hardcover with Jacket
  • Pages: 144
  • Size: 11.9 x 11.5 x 0.8 inches
  • Publisher: Aperture; Reprint edition (2011)
  • ISBN: 9781597111942

What People Are Saying

  • Subway is Davidson's visceral take on the New York underground system of the 1980s complete with beleagured passengers, Guardian Angels, graffiti and a palpable, all-pervasive sense of fear. A glimpse of a New York that is already long gone.

    — Sean O'Hagan

    The Guardian

  • The brilliant flash, combined with fluorescent lighting, intense colors and Davidson's probing vision, produced images that are dramatic and at times surreal.

    — Holly Stuart Hughes

    Photo District News