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She graduated with a master’s degree in photography from the Lebanese Academy of Fine Arts in 2015. She has taken part in both national and international collective exhibitions, including \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eClose Enough\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e at ICP, New York; \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInfinite Identities\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e at Huis Marseille, Amsterdam; and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eTroisième Biennale des Photographes du Monde Arabe\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, at l’Institut du Monde Arabe, Paris. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHer work has been published in \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAperture, FOAM, Time, GQ Middle East, Vogue Arabia, and Vanity Fair France\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, among other publications. \u003c\/span\u003e\u003cspan\u003eIn 2020, Myriam co-founded and became the photo editor of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAl Hayya\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, a bilingual magazine that publishes literary and visual content on the works, interests and strife of women in her region. 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She graduated with a master’s degree in photography from the Lebanese Academy of Fine Arts in 2015. She has taken part in both national and international collective exhibitions, including \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eClose Enough\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e at ICP, New York; \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInfinite Identities\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e at Huis Marseille, Amsterdam; and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eTroisième Biennale des Photographes du Monde Arabe\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, at l’Institut du Monde Arabe, Paris. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHer work has been published in \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAperture, FOAM, Time, GQ Middle East, Vogue Arabia, and Vanity Fair France\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, among other publications. \u003c\/span\u003e\u003cspan\u003eIn 2020, Myriam co-founded and became the photo editor of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAl Hayya\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, a bilingual magazine that publishes literary and visual content on the works, interests and strife of women in her region. 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For 12 years, he lived and traveled in some 20 countries. In 1991, while living in New York with no photographic experience, he enrolled at the International Center of Photography, where he studied with Nan Goldin and Larry Clark. In 1993, he moved to France, worked as a bricklayer, and stopped his photographic practice until 1997.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eMala Noche\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, his first book, was published in 1998. In 2001, he received the Niépce Prize. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003e1001 Nuits\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was exhibited in Paris in September 2003 and accompanied by the publication of two books, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVortex\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInsomnia\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. 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He won the Photographic Book Prize at the Rencontres d’Arles in 2013 for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnticorps\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, published the same year for a major exhibition at Le Bal, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntoine d’Agata’s work can be read as an exploration of contemporary violence from two distinct perspectives: the violence of the day, or economic and political violence (migration, refugees, poverty and war), and the violence of the night, or violence generated by social groups marginalized by poverty (survival through crime, narcotic addiction, sexual excess). 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In 2001, he received the Niépce Prize. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003e1001 Nuits\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was exhibited in Paris in September 2003 and accompanied by the publication of two books, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVortex\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInsomnia\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2004, D’Agata joined Magnum Photos, published his fifth book, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eStigma\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and made his first short film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEl Cielo del muerto\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2006, he shot his second film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAka Ana\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, in Tokyo. His latest, a four-hour feature called \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Noise\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2019), brought together the voices of twenty-four women. He won the Photographic Book Prize at the Rencontres d’Arles in 2013 for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnticorps\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, published the same year for a major exhibition at Le Bal, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntoine d’Agata’s work can be read as an exploration of contemporary violence from two distinct perspectives: the violence of the day, or economic and political violence (migration, refugees, poverty and war), and the violence of the night, or violence generated by social groups marginalized by poverty (survival through crime, narcotic addiction, sexual excess). 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At the age of 17, he interrupted his studies to live in the world of the night. For 12 years, he lived and traveled in some 20 countries. In 1991, while living in New York with no photographic experience, he enrolled at the International Center of Photography, where he studied with Nan Goldin and Larry Clark. In 1993, he moved to France, worked as a bricklayer, and stopped his photographic practice until 1997.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eMala Noche\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, his first book, was published in 1998. In 2001, he received the Niépce Prize. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003e1001 Nuits\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was exhibited in Paris in September 2003 and accompanied by the publication of two books, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVortex\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInsomnia\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2004, D’Agata joined Magnum Photos, published his fifth book, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eStigma\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and made his first short film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEl Cielo del muerto\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2006, he shot his second film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAka Ana\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, in Tokyo. His latest, a four-hour feature called \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Noise\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2019), brought together the voices of twenty-four women. He won the Photographic Book Prize at the Rencontres d’Arles in 2013 for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnticorps\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, published the same year for a major exhibition at Le Bal, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntoine d’Agata’s work can be read as an exploration of contemporary violence from two distinct perspectives: the violence of the day, or economic and political violence (migration, refugees, poverty and war), and the violence of the night, or violence generated by social groups marginalized by poverty (survival through crime, narcotic addiction, sexual excess). 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In 2001, he received the Niépce Prize. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003e1001 Nuits\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was exhibited in Paris in September 2003 and accompanied by the publication of two books, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVortex\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInsomnia\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2004, D’Agata joined Magnum Photos, published his fifth book, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eStigma\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and made his first short film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEl Cielo del muerto\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2006, he shot his second film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAka Ana\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, in Tokyo. His latest, a four-hour feature called \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Noise\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2019), brought together the voices of twenty-four women. He won the Photographic Book Prize at the Rencontres d’Arles in 2013 for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnticorps\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, published the same year for a major exhibition at Le Bal, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntoine d’Agata’s work can be read as an exploration of contemporary violence from two distinct perspectives: the violence of the day, or economic and political violence (migration, refugees, poverty and war), and the violence of the night, or violence generated by social groups marginalized by poverty (survival through crime, narcotic addiction, sexual excess). 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In 2001, he received the Niépce Prize. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003e1001 Nuits\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was exhibited in Paris in September 2003 and accompanied by the publication of two books, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVortex\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInsomnia\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2004, D’Agata joined Magnum Photos, published his fifth book, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eStigma\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and made his first short film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEl Cielo del muerto\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2006, he shot his second film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAka Ana\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, in Tokyo. His latest, a four-hour feature called \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Noise\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2019), brought together the voices of twenty-four women. He won the Photographic Book Prize at the Rencontres d’Arles in 2013 for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnticorps\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, published the same year for a major exhibition at Le Bal, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntoine d’Agata’s work can be read as an exploration of contemporary violence from two distinct perspectives: the violence of the day, or economic and political violence (migration, refugees, poverty and war), and the violence of the night, or violence generated by social groups marginalized by poverty (survival through crime, narcotic addiction, sexual excess). 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At the age of 17, he interrupted his studies to live in the world of the night. For 12 years, he lived and traveled in some 20 countries. In 1991, while living in New York with no photographic experience, he enrolled at the International Center of Photography, where he studied with Nan Goldin and Larry Clark. In 1993, he moved to France, worked as a bricklayer, and stopped his photographic practice until 1997.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eMala Noche\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, his first book, was published in 1998. In 2001, he received the Niépce Prize. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003e1001 Nuits\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was exhibited in Paris in September 2003 and accompanied by the publication of two books, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVortex\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInsomnia\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2004, D’Agata joined Magnum Photos, published his fifth book, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eStigma\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and made his first short film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEl Cielo del muerto\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2006, he shot his second film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAka Ana\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, in Tokyo. His latest, a four-hour feature called \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWhite Noise\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2019), brought together the voices of twenty-four women. He won the Photographic Book Prize at the Rencontres d’Arles in 2013 for \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnticorps\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, published the same year for a major exhibition at Le Bal, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntoine d’Agata’s work can be read as an exploration of contemporary violence from two distinct perspectives: the violence of the day, or economic and political violence (migration, refugees, poverty and war), and the violence of the night, or violence generated by social groups marginalized by poverty (survival through crime, narcotic addiction, sexual excess). 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In 2001, he received the Niépce Prize. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003e1001 Nuits\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e was exhibited in Paris in September 2003 and accompanied by the publication of two books, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eVortex\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInsomnia\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2004, D’Agata joined Magnum Photos, published his fifth book, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eStigma\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and made his first short film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEl Cielo del muerto\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. In 2006, he shot his second film, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAka Ana\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, in Tokyo. 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