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Edie Sedgwick and her manager Chuck Wein first met Andy Warhol in early 1965, which launched a chain of events in which Sedgwick started spending time at Warhol’s \u003cem\u003eThe Factory\u003c\/em\u003e and went on to star, that same year, in a large number of his films. 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The year was 1954, only one year after she rose to stardom, winning an Oscar, a Golden Globe Award, and a BAFTA Award for her performance in \u003ci\u003eRoman Holiday.\u003c\/i\u003e\u003c\/p\u003e","brand":"Dennis Stock","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853306052923,"sku":"DARK-PRINT-STD-PAR82650-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853306085691,"sku":"DARK-PRINT-STD-PAR82650-11x14-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853306118459,"sku":"DARK-PRINT-STD-PAR82650-11x14-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-STD-PAR82650-11x14.jpg?v=1710585878"},{"product_id":"darkroom-prints-the-mennonites-1994","title":"Darkroom Print: The Mennonites, 1994","description":"Larry Towell first encountered the Mennonites in the fields close to his home in Ontario, Canada, and gained unique access to their lives, which were otherwise cut off from the rest of society. Towell documented life in Mennonite communities for over 10 years over the course of the 1990s, photographing a total of 23 Mennonite groups across Canada and Mexico. Pictured here is a family from the La Batea colony in Zacatecas, Mexico — an image that would later go on to be the cover of his book, \u003ci\u003eThe Mennonites\u003c\/i\u003e, originally published in 2000.","brand":"Larry Towell","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853306216763,"sku":"DARK-PRINT-TOL-MG1195503-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853306249531,"sku":"DARK-PRINT-TOL-MG1195503-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853306282299,"sku":"DARK-PRINT-TOL-MG1195503-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-TOL-MG1195503-11x14.jpg?v=1710586618"},{"product_id":"darkroom-prints-james-dean-new-york-1955","title":"Darkroom Print: James Dean, New York, 1955","description":"Dennis Stock met a young James Dean during a house party in Los Angeles in 1955. 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Bob Henriques and Henri Cartier-Bresson were both covering the event, and here, Henriques captures an intimate moment as Cartier-Bresson pauses, camera in hand, just in front of Martin Luther King Jr himself, with the Washington Monument looming in the background.\u003c\/p\u003e","brand":"Bob Henriques","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853307101499,"sku":"DARK-PRINT-HEB-NYC151425-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853307134267,"sku":"DARK-PRINT-HEB-NYC151425-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853307167035,"sku":"DARK-PRINT-HEB-NYC151425-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-HEB-NYC151425-11x14.jpg?v=1710586768"},{"product_id":"darkroom-prints-jerusalem-1957","title":"Darkroom Print: Jerusalem, 1957","description":"\u003cp\u003eThe late 1950s were important years for Burt Glinn, who joined Magnum photo agency in 1951. It was during this period that he documented the desegregation of Little Rock High, Nikita Khrushchev in front of the Lincoln Memorial, Queen Elizabeth II on her visit to New York, as well as profiles of Sammy Davis Jr., Marilyn Monroe, Elizabeth Taylor and Katherine Hepburn. Here, he captures the Tower of David and the walls of the Old City of Jerusalem as seen through an olive grove.\u003c\/p\u003e","brand":"Burt Glinn","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853307265339,"sku":"DARK-PRINT-GLB-MG1195504-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853307298107,"sku":"DARK-PRINT-GLB-MG1195504-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853307330875,"sku":"DARK-PRINT-GLB-MG1195504-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-GLB-MG1195504-11x14.jpg?v=1710586671"},{"product_id":"darkroom-prints-muhammad-ali-chicago-1966","title":"Darkroom Print: Muhammad Ali, Chicago, 1966","description":"\u003cp\u003eIn 1966, when Thomas Hoepker was a young staff photographer at STERN magazine, he was asked to cover a fight in London with the then-heavyweight champion of the world, Muhammad Ali. After documenting him for a few days there, Hoepker persuaded his editor that the story was bigger and followed Ali to Chicago, where this iconic image of his world-famous fist was taken. 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While traveling through Moscow, he photographed ballerinas at the Bolshoi Ballet School (today, Moscow State Academy of Choreography), one of the oldest and most prestigious academies of its kind in the world. The school, founded in 1773 by Catherine the Great — 10 years after she established it as an orphanage, was part of a larger effort to promote art and the ballet in Russia. Capa’s image serves as a testament to the legacy and beauty of an enduring hallmark of Russian culture.\u003c\/p\u003e","brand":"Cornell Capa","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853308182843,"sku":"DARK-PRINT-CAC-MG1237800-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853308215611,"sku":"DARK-PRINT-CAC-MG1237800-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853308248379,"sku":"DARK-PRINT-CAC-MG1237800-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-CAC-MG1237800-11x14.jpg?v=1710586584"},{"product_id":"darkroom-prints-snowstorm-new-york-city-1967","title":"Darkroom Print: Snowstorm, New York City, 1967","description":"Over 51” of snow fell in New York City in the winter of 1967. The same year, Erich Hartmann joined the Magnum Photos Board of Directors, which he remained on until becoming president of the cooperative in 1985. While riding a city bus during one of the snowstorms in 1967, not for any particular assignment, Hartmann captured a girl looking out the window. Outside, figures trudged through the street in front of the Tishman Building at 666 5th Avenue. The photograph is featured in his book \u003ci\u003eWhere I Was\u003c\/i\u003e (2000), a personal collection of enigmatic black-and-white images taken over the course of his illustrious career.","brand":"Erich Hartmann","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853308281147,"sku":"DARK-PRINT-HAE-MG1237799-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853308313915,"sku":"DARK-PRINT-HAE-MG1237799-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853308346683,"sku":"DARK-PRINT-HAE-MG1237799-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-HAE-MG1237799-11x14.jpg?v=1710586410"},{"product_id":"darkroom-prints-run-dmc-tour-bus-usa-1986","title":"Darkroom Print: Run-DMC Tour Bus, USA, 1986","description":"“Kings from Queens, from Queens come kings” is the opening bar on “Raising Hell,” the titular track on Run-DMC’s third studio album. Released in 1986, the album is considered one of the most influential records in hip hop history and it represents the moment hip hop solidified itself as a dominant cultural force in the US and around the world. During the 45-city “Raising Hell” tour, DJ Hurricane, bodyguard for Run-DMC and DJ for the Beastie Boys, played chess on the bus with Jam Master Jay. The picture appears in Eli Reed’s \u003ci\u003eBlack in America\u003c\/i\u003e (2000), a book that explores and expands the notion of black experience in America.","brand":"Eli Reed","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853309067579,"sku":"DARK-PRINT-REE-MG1237170-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853309100347,"sku":"DARK-PRINT-REE-MG1237170-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853309133115,"sku":"DARK-PRINT-REE-MG1237170-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-REE-MG1237170-11x14.jpg?v=1710586374"},{"product_id":"darkroom-prints-vienna-international-airport-2010","title":"Darkroom Print: Vienna International Airport, 2010","description":"“Between” is the space where life happens. For Chien-Chi Chang in 2010, that space contained the end of one relationship and the start of a new one, a new home in Vienna before one in Graz, and a new language (German) at age 54 — just so that he could stay in the country. \u003ci\u003eJet Lag\u003c\/i\u003e explores disconnection through the lens of a constant traveler over the course of 25 years. From airports and planes to hotel rooms and self-portraits, the gap between unfamiliar and familiar in a world of flux becomes a home of sorts, but often an uneasy one. 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The annual September tradition celebrating the patron saint of Naples began in 1926, making it one of the city’s oldest street fairs. Gilden doesn’t title any of his photographs, but refers to this one as “Best Street,” because he says, “I don’t think I can do a better picture in the street of New York.” With everyone going everywhere, and a distant sign for a childhood favorite treat, the frenetic scene captures life in the melting pot at its finest.\u003c\/p\u003e","brand":"Bruce Gilden","offers":[{"title":"11 x 14 in (28 x 35.5 cm) \/ Unframed","offer_id":47853309886779,"sku":"DARK-PRINT-GIB-MG1237149-11x14","price":250.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom Black Frame","offer_id":47853309919547,"sku":"DARK-PRINT-GIB-MG1237149-FRAME-BL","price":445.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 in (28 x 35.5 cm) \/ Custom White Frame","offer_id":47853309952315,"sku":"DARK-PRINT-GIB-MG1237149-FRAME-WH","price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0849\/5575\/8907\/files\/DARK-PRINT-GIB-MG1237149-11x14.jpg?v=1710585938"},{"product_id":"magnum-editions-england-st-pauls-cathedral","title":"Magnum Editions: London, England, 2011","description":"\u003cp\u003e\"In 2010 Peter Marlow undertook ‘a kind of reflective pilgrimage’, in photographing the naves of each of England’s 42 Anglican cathedrals. As a contemporary return to the tradition of church photography in England, particularly the work of Frederick Evans and Edwin Smith, Peter’s typologies were taken in natural light at dawn, capturing the luminosity of each interior as daylight emerged from behind the altar.\u003c\/p\u003e\n\u003cp\u003eThe task was a considerable challenge and Peter was particularly concerned that the scale should be right. Peter said: “It was important for me to keep a sense of the relative size of each nave, since some were enormous and others not. To do this, I used exactly the same elevation on the ladders and tripod, and kept the lens at a constant focal length.” Pictured here, St. Paul’s Cathedral.\u003c\/p\u003e\n\u003cp\u003eAll income the Marlow Estate receives from sales of this print will be donated to the Peter Marlow Foundation. 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