Herbert List

Panoptikum

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Description

Herbert List was fascinated by the ”artificial humans“—life-size figures moulded in wax—on display at the Panoptikum in Vienna’s Prater. In 1944, he photographed these waxworks, depicting them as “corpses set in position and daubed with make-up—frozen in poses of the utmost intensity, they are inhabitants of a Sleeping Beauty castle.” List took a string of fairytale scenes, historical tableaux, and medical subjects and combined them with a trenchant text to create an illustrated book that is now being published for the first time, more than seventy-five years later, in a bibliophile edition based on List’s original draft. An accompanying volume of commentary places the work in the context of his artistic oeuvre and the history of Präuscher’s Panoptikum in Vienna, where popular scientific interest was mixed in the nineteenth century with a sensationalist fascination for erotica and exotica. Herbert List (1903 – 1975) emigrated from Germany in 1936 as an artist influenced by surrealism and the New Objectivity. He then took pictures in southern Europe and lived in Athens until the German invasion. After the war, he became increasingly interested in portraiture, reportage, and street photography and worked for the Magnum agency.

Specification

First Edition
Publisher: Spector Books
Publication Year: 2022
Language: English
Format: Thread-sewn hardcover with detachable booklet
Pages: 192, 112 images
Size: 9.8 x 11.6 inches (250 x 295 mm)

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Herbert List

Herbert List was a classically educated artist who combined a love of photography with a fascination for surrealism and classicism.

Under the dual influence of the surrealist movement on the one hand, and of Bauhaus artists on the other, List photographed still life and his friends, developing his style. He has described his images as “composed visions where [my] arrangements try to capture the magical essence inhabiting and animating the world of appearances.”

In 1951, List met Robert Capa, who convinced him to work as a contributor to Magnum, but he rarely accepted assignments. He turned his interest towards Italy from 1950 to 1961, photographing everything from street scenes to contemplative photo-essays, from architectural views to portraits of international artists living in Italy.

In the final decade of his life, List’s interest in photography was finally fading out. He followed some publications for his 70th birthday with interest but declined offers for retrospectives of his work. From then on, he focused all his attention to his collection of Old Master drawings.

By the time he died in Munich in 1975, his photographs had been almost forgotten. Interest has revived recently, though, thanks to a fine monograph published by Schirmer Mosel and many exhibitions. His work is represented in the greatest collection of photography, from the MOMA NY to the V&A in London, The Getty Museum in LA to the Pompidou Center in Paris.

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